OpenSourceEmpathy — Design for Humans, Not Just Users.

A multidisciplinary studio spanning product, concept, installation, and brand — built on the conviction that the best design starts by understanding the person it's for.

Featured Project

Collage of skincare products and models applying skincare, with close-up shots of skin, skincare packaging, and ingredients, including salt and sugar textures.

Colorful abstract background with splashes of pink, purple, and blue, with a label that reads 'Duotone Powder' in the top left corner.

Visual Language for Tech/Beauty Product

This project was a collaboration with an in-house team to explore visual languages for a innovative Beauty and Tech product.

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Work Categories

Collage of technology and music devices, including a tablet displaying the album cover "Panic! At the Disco," a smart speaker, a smartwatch, a remote control, a smartphone with a QR code, and a man with a beard passionately singing or shouting.

This is where things get real — shipped, used, and lived with by actual humans. If the Concept Design section is about asking "what if," this section is about answering "okay, but how." Hardware, software, and the space between — work shipped for Bose, Philips, and Microsoft.

Product Design

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A person with short, curly hair, glasses, and wearing a checkered shirt, looking down while working or studying at a desk. Behind them, there is a whiteboard filled with handwritten notes and diagrams, and several sketches or drawings pinned to the wall.

This is where ideas get to be ideas before the world has decided what they are yet. Projects span gestural AR interfaces, headphone paradigm research, Disney + Bose spatial audio experiences, musical taste visualization, and more. Work that earns its existence by asking the question before the industry knew to ask it.

Concept Design

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A geometric sculpture composed of interconnected glass panels forming a spherical shape, with reflections of indoor surroundings visible on the glass surfaces, and a gradient purple-green overlay.

This is design that takes up space — physical, emotional, and sometimes a whole Times Square billboard. The work in this section lives at the intersection of art, technology, and people who walk into the room and find themselves in something they didn't expect to feel.

Installation Design

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A cartoon scene with a sign reading 'Skits Cookies,' a dog wearing a plaid vest, a pizza with slices missing, a lamp in the corner, and a person with glasses and a big mustache looking at the scene.

Game Design

Games are design with stakes. You have to earn the next screen. This section covers two distinct chapters of game design work, and they couldn't be more different in context — which makes them a pretty good argument for the breadth of what game design actually is.

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The image shows several horror movie posters displayed together, including a poster for 'Death Scream' with a screaming face, a poster for 'Shock Treatment' with a masked face, and other vintage horror film posters with illustrations and text.

Graphic Design

Graphic design is the foundation that everything else is built on: the discipline that teaches you that every choice is a choice, that negative space is doing work, and that typography has feelings.

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Neon outline map of Portugal on pastel gradient background.

Motion Design

Motion is where graphic design stops holding still and starts having opinions about time.

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A man with glasses and a patterned shirt speaking to an audience in a modern office space with large windows. A large screen displays a woman pointing and speaking, surrounded by gaming graphics.

This is where the room becomes the medium — structured enough to create safety, loose enough to let surprise in. These are the sessions where teams stop talking about the problem and start having one — productively, on purpose. Facilitated for teams at all scales — from startup off-sites to enterprise innovation sprints.